Meet… Andy Phipps, That Art Gallery

Above: That Art Gallery’s Andy Phipps with artist Lily Mixe. Pic: Joanna Dudderidge

Andy Phipps set up That Art Gallery on Christmas Steps back in March last year, and the artspace has already made an impact on the Bristol scene with solo exhibitions from some eye-catching, intriguing contemporary artists from Bristol and beyond, including Beau Stanton, Emma Caton, Lily Mixe (pictured above with Andy) and David Shillinglaw.
Here’s Andy with the story so far.

So, what were you up to before you set up That Art Gallery?
Whilst studying for a MA in Fine Art I started manipulating my drawings and etchings using computers. A friend who studied performance art was working at Peter Gabriel’s Real World Studios – and, as an artist who could use a computer, I began working as a designer. I’ve been a creative freelancer ever since, always in the arts, music and charity sectors.
Shortly after moving to Bristol I curated two pop-up exhibitions at the Crypt of St John on Quay Street – the first with Jessica Albarn, an artist whom I’d known in London, and then with the American artist Beau Stanton. I’ve worked with Beau on a number of projects, and he exhibited at the gallery in November 2017.

And what are your aspirations for the gallery?
I believe there’s a shortage of curated exhibition spaces in Bristol, and even local artists are in danger of being un-represented. This month I’m exhibiting Stewart Geddes, a very well-established abstract painter (and President of the Royal West on England Academy) whom I’ve known and respected for a long time.
The next exhibition will be from Jamie Rawlings, an artist whose practice couldn’t be more different. Jamie works with vintage photographs, re-appropriating them through embroidery and collage. Rather than trying to establish a gallery ‘style’, I’m more interested in working with artists whose work has soul.

Stewart Geddes (‘Jarvey’, pictured) is the gallery’s current exhibitor

What are the pleasures and pitfalls of running your own art gallery?
Every other person who comes into the gallery either is, knows or wants to be an artist. I really enjoy the interaction with people who have just stumbled upon the gallery. The feedback about the space and the art is usually very positive, and I’ve now got some genuine regulars.
Art is seemingly a luxury item and it’s difficult to know what’s going to inspire people to buy it. But I believe art is essential for society: there are so many issues that need resolving and it’s easy for people to forget how much art, music and drama help. If someone comes into the gallery and has any reaction to the exhibition, that’s already a success – if they buy something that’s even more reassuring.

Jamie Rawlings (‘Madame Butterfly’, pictured) is up next

What are the key skills for running a successful gallery?
I try to maintain a balance between artists whom I want to exhibit, and art which is affordable and accessible whilst not being too ‘pedestrian’.

And how suitable is Bristol for a venture like this? 
Bristol is an inherently creative community, with flourishing artists’ studios, art trails and creative industries. After living in London for years, I’d become slightly cynical and overwhelmed by the extreme pace of that city. It’s been a revelation to see how community events and art projects are supported by all sectors of the community here. I’m a great believer in creativity being inclusive and not just for the privileged.

That Art Gallery exhibits work by Stewart Geddes until March 17. For more info, visit www.thatartgallery.com

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