Music / alternative
Review: A. Savage, The Louisiana
A. Savage has become a highly sought after individual to work with in recent years. Known for his strikingly deadpan vocal and out-of-the-box lyricism, he’s one of a kind. This is why it’s a much welcomed chance to see him swing by Bristol for a rare solo show at The Louisiana.
While he’s usually found shouting into chaotic crowds with Parquet Courts, or even more recently appearing on Daniele Luppi’s slick and suave album Milano, his solo work represents something more reclined. Rather respectfully, the setlist tonight comprises of mostly material from his debut solo album Thawing Dawn.
https://www.youtube.com/watch?v=9EIZ1i5P5q4
is needed now More than ever
His band features support act Jack Cooper from Ultimate Painting who along with the bassist and drummer really help make this show what it is. Cooper shows his talents with the moody and vintage synths that provide a refreshing juxtaposition to some of the more intense vocal sections. Another impressive moment is the galloping and rhythmic guitar part of Winter In The South.
While the album in itself chimes up a nice variety of emotions in the listener, the show really does help us appreciate the way in which the tracks come together. All of the members on-stage tonight also contributed to the recorded versions and this shows. Buffalo Calf Road is another standout, documenting a defiant act of a powerful woman who shot Colonel Custer from his horse.
This music was so fitting for a Monday night that it left me rushing to put on my headphones during the walk home. A true testament to the musicianship of A. Savage who can bring class to any musical endeavour.
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