Music / Cousin Kula
Review: Cousin Kula, The Exchange
This psychedelic pop-rock band from Bristol demonstrated true musicianship with a raw understanding of what it means to liberally perform one’s music, with true grit and passion. From the trippy light-show to the casually channelled saxophone solos, this to-the-wind performance from Cousin Kula would not be out of place at Glastonbury’s famous John Peel Stage in 2019.
Frontman Elliot Ellison possesses an enviably unique vocal, a mix of Syd Arthur and Kevin Parker if you had to compare. One was left searching, peering through the crowded Exchange, Bristol, attempting to see whether pedal-work was aiding this beguiling vocal output.
Musically, they’re a band’s band; the juxtaposition of ‘happy-beats’ and moody lyrics call upon the tipping of one’s metaphorical music hat. With their recent traction in the UK music scene it is clear their name will establish itself amongst Bristol’s best. Not quite the polished gem just yet, Cousin Kula have room to work on their stage presence as their musical ability currently shades this minor inexperience.
is needed now More than ever
This being said, Kula are one of the most idiosyncratic bands I have yet to see emerge from the Bristol music scene, expect great things from this sextet.
With support from another Bristol born band Beverly Shrills and fellow Chiverin artist Dirty Nice, the evening far extended beyond it’s ticket price. There was something uniquely old-school about Beverly Shrills’ carefree performance style; they felt like a genuine ‘mates band’ ready to venture onto the scene. They could also be one to watch.
https://www.youtube.com/watch?v=vi0z_aP7l9U
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