Music / music

Review: Paul Carrack, Colston Hall

By Daniel Nixon  Wednesday Feb 28, 2018

Taking to the stage, adorned with his 6-piece band, Paul Carrack kicked off an evening of world-class musicianship within seconds. Punchy sax solos, funky bass lines and the braiding of twin drum kits combined with strong vocal harmonies created a truly immersive performance.

His all black attire and voguish fedora only contributed to that unmistakable Paul Carrack stage presence. Flitting between a custom 1963 Gibson Everly Brothers acoustic, a beautiful Duesenberg electric, an organ and the incredible Yamaha AvantGrand piano, the man did not stay still.

Carrack blends his extensive back catalogue seamlessly into his new and upcoming album and tour title – These Days. An auditorium of applause ushered in the first bars of Eyes of Blue; filled to the brim with key changes, the modulation only adding to the epic ballad feel of this 2008 release.

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Progressing to his Rain or Shine album, a stripped back three-piece performed That’s All That Matters To Me, which denotes Carracks cares and concerns over his daughter’s time away travelling. At this point, stage lights could be seen reflecting in the eyes of every parent in the room – it was the kind of juncture where you realise “I should phone my parents more often”. The album, jam-packed with soul, includes both original and cover tracks, all of which show off his preposterous vocal talents.

At 66 years of age, it is easy to see how this rocker is still enjoying a career spanning over four decades. You would be hard-pressed to find another musician performing in Bristol this week, with the same level of unquestioning professionalism. His no-nonsense performance style was somewhat refreshing to say the least. His onstage demeanour was so natural, his vocals so flawless, he is truly a master of his craft.

A carefully moulded set list allowed Carrack to control the audience of baby boomers into a finale of incredible melodies and solos from all band members. The audience, coaxed from their seats, began to dance in the aisles and sing along; after the final bow, cheers turned into chants of one more song. The lobby was noticeably buzzing after a three-song encore – the audience and I left satisfied, fulfilled by the solid performance of Mr Paul Carrack.

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