Music / Clubs
Review: The Dutty Whine Up, Old Firestation
Dutty Girl is recognised in Bristol and beyond as a brand that represents ‘90s inspired music and fashion. Initially an all-female group getting a foot in at music nights dominated by men, they began holding their own nights, promoting local creatives and starting a clothing label.
During the past two years the girls have been battling Italian brand Massimo Dutti (owners of Zara, Berhska and Pull & Bear) who have held their ‘Dutti’ trademark since 1996. Resources against them, the girls decided to re-brand when they lost the case.
A crowdfunder page was started to aid the rebranding process. Tickets for a night where the brand new name would be revealed alongside a fashion show of the new collection were put up as part of a donation.
is needed now More than ever
This weekend we were introduced to That Thing. The newly branded designs were showcased at The Old Firestation alongside a strong DJ line-up and 50% off all (now exclusive) Dutty branded stock.
The night started off quietly, but by midnight the dancefloor had filled to the sounds of Jus Now (pictured back in May at Love Saves The Day) – a Bristol/Trinidad duo playing Soca inspired music with live percussion.
As to be expected, the new designs represent That Thing down to the bum bag (which was worn across the body – not sure if that’s a new fashion standard or rogue styling.) Fresh, urban style which is effortlessly chic, the fashion show was a hit with the crowd.
The night kicked off with That Thing’s very own Amy Stiff playing R&B classics – every tune a crowd pleaser. NYTA – who followed – went down the electronic route, warming up the crowd nicely before Jus Now graced the stage with their soca/dancehall floorfillers.
After the fashion show GotSome brought out the house/bass at a perfect time for the night. Jams Supernova followed with some of the best mixing I’ve heard in a while: an eclectic selection of electronica put together seamlessly. The last act I saw was Sly-One who also added live percussion to their set.
I spent most of my time in the indoor music area but there was also a healthy crowd at the outdoor stage through the night, geared towards feelgood late 80s/early 90s grooves.
It was a night of celebration as opposed to sadness. Everyone was there to support the girls and the brand evolution which was reflected in the happy, relaxed atmosphere. People were dancing like no-one was watching, sipping cocktails and looking fabulous. It’s Just That Thing.
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