Reviews

• Theatre / Reviews

  Review: Emilia by Bristol Old Vic Theatre School, Circomedia – ‘A show of swaggering invention, charm and style’

  Sally Cookson direction of the multiple award-winning play is pitch-perfect

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• Theatre / Reviews

  Review: The Tap Dancing Mermaid, The Wardrobe Theatre – ‘An utterly enchanting, watery odyssey’

  Tessa Bide resurrects the magical show that began her career

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• Restaurants / Reviews

  ABOE, Whiteladies Road: ‘It oozes finesse’ – restaurant review

  ABOE, which is an acronym for ‘a bit of everything’, certainly delivered on that promise

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• Theatre / Reviews

  Review: Judith Kerr’s Mog the Forgetful Cat, Bristol Old Vic – ‘Dearly cherished source material is in very good hands here’

  The Wardrobe Ensemble follow up their acclaimed Robin Hood with another run on the main stage

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• Music / Reviews

  Review: Katatonia/Sólstafir, Motion

  An incongruously cheerful performance by Stockholm's kings of melancholic metal

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• Music / Reviews

  Review: Leprous/Monuments/Kalandra, SWX

  It's prog-metal, Jim, but not as we know it

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• Restaurants / Reviews

  Daily Noodles, Wapping Wharf: ‘A challenging game of spot the difference’ – restaurant review

  From the founder of Woky Ko comes Daily Noodles, promising a simple menu of noodles and bao

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• Theatre / Reviews

  Review: I’m Actually Fine, Alma Tavern & Theatre – ‘A collection of raw, candid songs and monologues on mental health’

  Bristol-based comedian and singer-songwriter Harry Creffield is playful, honest and self-assured

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